I am sitting in the American bar right beside the stage. An
audience sits drinking their Sunday afternoon pints about to watch ‘Wasted’. Two
actors are in front of me. Two chairs. Two spotlights. The music begins.
Immediately we are thrown into a nightclub scene. The two actors are drinking,
taking selfies, dancing. As the title suggests, they are wasted.
It is fast, vibrant, energetic. We move through scenes with
great speed – the bar, the taxi, the club. We even move from character to
character quickly – one minute we are watching two female best friends, next
the actors switch to two male friends. Thrown into the mix, the characters
change to a mother, a bouncer, a Policeman. All the actors have are two chairs and two spotlights. But with fascinating
direction and choreography, one hour of two actors and two chairs becomes so
much more.
We have Emma and Kate, best mates on a night out. They bump
into Oli and Charlie, and the four progress from a few drinks in the bar, to
drinking games, to a taxi, to a club. There’s a scene where Emma falls and is
picked up by Oli. Oli examines her bloody foot, only to find that the blood is
actually spilled Strawberry Daiquiri. Shannon Wilkinson (Emma) portrays a
highly realistic drunken girl – even her facial gestures are down to a tee.
Then she manages to switch to the laddish Charlie, which she pulls off
effortlessly by the way she cranes her neck and she way she swaggers.
Thomas Martin on the other hand, who originally plays Oli,
immediately switches to best friend Kate, and we need no explanation. He can
act girlish, feminine and like a sympathetic girlie best friend. Then straight
away he can switch straight back into his male character who is being grilled
by his mother on what he got up to the night before.
How Nuala Donnelly pulled together this feat of choreography
and direction is beyond me. It is fast,
tight, and non-stop. This play does not stand still. And yet for some reason,
you never lose grip of who is playing who and what scene we are on. The actors
pull it off perfectly.
The scenes jump back and forward as we start to learn the
events of that wasted night. Emma lost her phone, her wallet, her keys and her
friend Kate. Oli is there is pick up the pieces. To literally carry her home
over his shoulder.
But then the following morning comes, and along with it, the
hangover. Emma’s dread as she awakens and feels rough. But worse than that, did
something happen last night? Was there sex? Does she even remember anything?
And this is where the main tension of the story lies. Did
Emma and Oli have sex? Emma was too drunk to remember. Did she even consent to
it? eg. Was it rape?
Therein lies a storyline which in some ways should feel like
a talk to young people, and yet it doesn’t come across like that. Interwoven
within the dramatic storyline are lessons to be learned. What would happen if
Emma reported Oli? What would the Police say? How would the interviews take
place? What are the consequences for this alcohol fuelled evening?
This play has everything – powerful, emotional scenes – when Emma
is crying to her friend and can’t remember anything. Comedy and
light-heartedness – the early evening, the selfies, the hanging off the bar
ordering drinks. Information and education – all young people should watch this
play and come away with lessons learned. And physical theatre – how can only
two chairs tell so many scenes? It’s because of the way the two actors bounce
off each other, move, twist, exchange roles and genders. It is clever, it has
perfect timing and it is entertaining.
What was also interesting about the writing of this play (written by Kat Woods) was
that my sympathies for the two main characters switched back and forth. I never
really knew what was going to happen or what the outcome would be for Oli.
The final scene left me with tears in my eyes. A hugely
powerful hard-hitting yet entertaining play. This is one I will not forget.
~ 'Wasted' by Pintsized Productions was performed in the American Bar, Belfast on Sunday 24 February 2019.
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